Sunday, 9 June 2013

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Female Tattoos

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U.S. Swimmers Go for Gold, and a Tattoo

The swimmer Missy Franklin is a 17-year-old sunbeam who daydreams about getting a tattoo, calling it one of her “big motivations” for making the 2012 United States Olympic swimming team in seven events.

Franklin spent months considering where to put the five interlocking Olympic rings that are her sport’s most visible — or sometimes not — symbol of success, finally deciding on her hip.

Although the iconic Olympic logo is popular body art for athletes from other countries and other sports, it is a particular mark of prestige among American swimmers because of the fierce competition for Olympic berths — only two qualify in most events. Never mind the top 1 percent; the 49 members of the 2012 team represent close to the top one-tenth of a percent of the nation’s registered swimmers.

“It’s like being a member of the Army Special Forces,” said Mike Bruner, who won two gold medals at the 1976 Olympics and was a member of the team that boycotted the 1980 Summer Games.

What better badge of honor to identify membership in such an elite patriotic force? Elizabeth Beisel, who was 16 when she sat for her Olympic body art after competing in the 2008 Beijing Games, said, “It’s the one tattoo that parents will let you get.”

Anthony Ervin, who sports tattoo sleeves on his arms, had the rings tattooed in Australia, shortly after tying for the gold in the 50-meter freestyle in the 2000 Sydney Games.

“It was the first willing stain I made to my body,” said Ervin, who will also compete in the 50-meter freestyle in London.

In 24 hours, Brian and I will head to Edinburgh, Scotland for some fun and then Cork, Ireland for even more fun this weekend at the Traditional Tattoo and World Culture Fest. [Looking forward to seeing Colin Dale, Xed Le head, and the fabulous Pat Fish, Queen of Celt, among so many other wonderful artists.] Will have a convention review and photos when we're back next week.

Meanwhile, I wanted to leave you with a few events from NYC to Liverpool (Sydney, Australia) to supplement our list of favorite upcoming conventions through October.

In that list, I mentioned the one-night-only-must-see exhibit: Pint Size Paintings at NYC's Sacred Gallery this Friday, July 9th. [I wrote about the book here, and have a couple photos of the exhibit from my Hell City gallery here.] So, I'm offering this quick reminder because I really recommend the show.

Also in NYC, P.J.S. Exhibitions presents Metanoia, a group exhibit featuring the fine art of top New York-based tattooists Chris O'Donnell, Stephanie Tamez, and Thomas Hooper of New York Adorned; Josh Egnew of Three Kings; Jason June of Daredevil Tattoo; as well as a hand crafted motorcycle by Ryan Bonilla of Bellum Concepts. Bevin Robinson and Patrick Sullivan will be co-curating the show, which runs July 15th through August 29th. A preview of the artwork is shown above.

Finally, for my Aussies, Liverpool's Casula Powerhouse Art Centre presents Body Pacifica,  a show focusing on Samoan, Maori, Tongan, and Niuean tattooing and ceremony. For me, one of the more interesting features of the show is Leo Tanoi's exhibition, which looks at the history and change of islander attitudes towards Samoan tattooing, and "explores stories of copyright and change, and the uncertain future of tattoo designs from a traditional perspective." The show runs until August 29th .

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3d Tattoo Pictures

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Martin Luther King Jr. Tattoos

While I still find more tattoo odes to ODB than MLK, I'm heartened that, every year on this Martin Luther King Jr Day, there are more people commemorating his legacy on their skin. It's particularly fitting that MLK day is celebrated this year on the second Presidential Inauguration of Barack Obama -- and I particularly love this President Obama tattoo with Martin Luther King Jr looking on behind him, created by Stefano Alcantara

As I wrote last year, one of the greatest things about tattoos is that they inspire communication. People are naturally curious over what others painstakingly and permanently put in their own skins. We hunger for a good story ... and many of us hunger to tell one. A mother may want you to know that the name above her heart is her beloved daughter. The veteran with the memorial tattoo on his arm lets you know about the courage of his lost friend. This communicative value also allows for teaching moments. A Dr. King tribute speaks not only about the how the activist inspired the tattoo collector but may also educate another who does not know of King's life and legacy.

It's powerful, what tattoos can do. And it's why I appreciate it when I do find tributes to inspiring figures, as they can be daily reminders to be better to each other and ourselves.

Below are some MLK tattoos we've featured in past posts -- beautiful tributes worth taking a second look.

I just learned that a gem of the tattoo world, Herbert Hoffman, passed away on Tuesday at the age of 91. You can easily tell from the photo above (at the 2006 Milan Tattoo Convention) that Herbert was a warm, sweet man who was generally excited to meet people who shared his love of tattoo. In fact, he's been described as a "friendship collector."

On my bucket list was to travel to Switzerland to have him tattoo me with his iconic anchor design and signature. I regret I missed that chance.

Often, when I've mentioned a tattoo book that I love here, I say it is "one of my favorites." Herbert's Living Picture Books: Portraits of a Tattooing Passion 1878-1952 is the favorite. The book is a collection of photos and "the family stories" behind them of tattooed people--400 in total--born between 1878 and 1952. For thirty years, Herbert traveled around taking portraits of his favorite subject with his Rolleiflex camera. This collection of images is beautifully presented in a large format hardcover published by Memoria Pulp.

Memoria Pulp also did a documentary featuring Herbert, as well as Albert Cornelisse and Karlmann Richter, called Flammend Herz or Blue Skin in 2004. It's a truly moving film about the passion these men had for tattooing and what they gave for it. It also delves into the complex relationship that they had with one another, a relationship that began when they met at Herbert's tattoo shop in Hamburg, "the oldest tattoo parlor in Germany." Eventually, that relationship soured when Herbert gave the shop to his cousin and not the others. The film brought them back together after all that time.

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Pics Of Tattoos

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Tattoos & Trademark

I had a wonderful time yesterday at Fordham Law School for the Fashion Law Institute's discussion entitled Art Attacks: Perspectives on the Use of Fashion Logos, where I chatted on their panel along with Ralph Lauren's in-house counsel Anna Dalla Val; brand consultant and former in-house counsel of Louis Vuitton, Michael Pantalony; and David De Buck, owner of the De Buck Gallery, whose roster includes prominent street artists. The panel -- and the Fashion Law Institute as a whole -- is the brainchild of Susan Scafidi, whom I've had a law nerd crush on for a long time after discovering her fantastic blog, Counterfeit Chic, many years ago. She's a pioneer in fashion law, which -- like tattoo law -- is constantly developing and is pretty exciting.

The focus of the discussion was fashion logos and their appropriation in art as well as commerce. Naturally, I gave the tattoo perspective. As requested in our Facebook group, I'll give y'all a taste of my talk.

But before we get to it ... What is a Trademark or Servicemark?

    Trademark & Servicemark protect the owner's reputation and goodwill.
    A Trademark is a word, phrase, symbol or design, or a combination of words, phrases, symbols or designs, that identifies and distinguishes the source of the goods of one party from those of others.
    A Servicemark is the same except it relates to the source of a service, like tattooing.

So, think of it as protecting your brand, identity and logo. Now, as the US Trademark & Patent Office says, federal registration isn't required to establish your rights in a trademark/servicemark. Common law rights arise from actually using of a mark, which could be in advertising, your shop signage, business cards, and the like. But you get perks with registration: greater protection of your name or logo; it discourages others from ripping off your brand; and you get more money should you sue for infringement and win. There are many other benefits as well, but the big motivators are protection & profit.

registered tattoo.jpg Ok, with that in mind, I started my talk off with the very first tattoo to be issued a registration by the U.S. Patent and Trademark Office: Master piercer Elayne Angel's famous wings backpiece, tattooed by the infamous Bob Roberts in 1987 -- a tattoo that inspiring a myriad of copies throughout the world.

Those wings just didn't become easily identifiable with Elayne, but her piercing services and Rings of Desire studio in New Orleans (which closed post-Katrina). It was Elayne's brand.

In 2003, when I wrote "The Tattoo Copyright Controversy," I interviewed Elayne about her servicemarked tattoo, which had been registered the year before. She explained that a customer, who was a lawyer, told her that he felt her wings were recognizable enough -- in relation to her as a professional piercer -- that protection was warranted. The process took six years but, on November 5, 2002, her backpiece was registered. It was not just the first tattoo registered, but it is believed to be the first feature of the human body to be registered. Cool!

But then I turned my discussion to people who get the brands of others on their bodies. People like the Gucci face guy or the Louis Vuitton sleeve dude below.

I tried to get in touch with these logo lovers, but to no avail, so I put out a call on the Facebook group page asking people to tell me about their logo tattoos. I'm grateful for all the responses. Many of y'all have band tattoos and great stories behind them, but as the focus was fashion for the panel, I was particularly interested in the story of talented tattooist Ania Jalosinska, of Kolektiv Tattoo in Warsaw, Poland.

Ania wears the United Nude logo and shoe design, which you can see here. The work was designed and tattooed by JEF. Here's what she said about it:

    It says nothing more then a total loyalty, love and appreciation of a brand. Their shoe design is brilliant, both from an aesthetics standpoint and engineering standpoint. Getting a logo wasn't an initial idea; I wanted a leg on a side of my leg, but since I love UN shoes and wear them all the time, it was a no brainer what shoe the leg will wear. Their logo is just one of the graphic elements, which I also put in there because, as a tattoo artist and a graphic designer, I do appreciate design of it as well.

I also think the Coco Chanel quote, "Elegance is refusal," is a nice touch to the tattoo.

Naturally, I also had to talk about how some brands are banking on tattoo cool in their marketing, like Marc Ecko's Branded for Life promo, where those who get Ecko logo tattoos also get "20% off For Life" on Ecko merch. When I first heard about the promo, I really couldn't imagine anyone would buy into it. I was really, really wrong. The Ecko tattoo fan gallery goes on for pages, filled with thumbnails of the tattoos like those shown below.

But what about luxury brands?
Do they want the great tattooed unwashed repping their fashion houses?
And if they don't, what can they do about?

Simply wearing the logo will not necessarily get you in trouble as there's little "likelihood of confusion," whereby, one could believe that the brand sponsored or is associated the wearer of the logo tattoo. Do we really look at the Gucci face guy and think he really is the new face of the brand?

Then there's the argument of "trademark dilution," in which the brand believes that the tattoos would "tarnish" their identity by presenting it in an inferior light or associated with "unseemly services." It's a fun legal argument, but practically, I don't think we have to worry about Louis Vuitton going after our skins.

I ended my presentation by acknowledging the power of logo tattoos and the desire to brand oneself with a brand that speaks to them, which can be beautiful. Of course, I couldn't help but note that we should also honor our very own identities, and like a couture gown, get a work of art that is specifically tailored to our own bodies.

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Best 3d Tattoos

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Facial Tattoo

Today, Shannon of BMEzine posted on Modblog the story behind the facial tattoo of Lesya, a beautiful young woman from Russia who radically altered her appearance by having her new lover tattoo his name across her face.

This naturally went viral -- just like the story of the girl with 56 stars tattooed on her face in 2009.  Both of these women have something in common. Both were tattooed by the same man: Rouslan Toumaniantz.      
Tattooing, in many forms, can elicit a reaction from a viewer, positive or negative, in different ways.  Facial tattoos often attract the strongest of reactions.  The reactions to Lesya's tattoo are the strongest of the strong, and naturally so, particularly in light of the back story, which Shannon offers in his post. Here's a bit from it:

    About a month ago, Rouslan Toumaniantz, a well known and sometimes notorious Belgium-based tattoo artist (of Tattoo Box in Kortrijk), and Lesya, a designer living at the time in Saransk, a city in central Russia started talking via chat (Rouslan speaks fluent Russian) and realized they had a lot in common, and quickly began falling head over heels in love. About a week ago they met in person in Moscow and decided to get married -- their plans for their life together include her learning to tattoo (Rouslan tells me she's already a talented artist), apprenticing under her husband-to-be, while she also gets the full-body ink that she's always dreamed of (biomech is the current plan) -- and of course a family.

Read more of the post and see additional photos here.

As you can see from the nude photo of Lesya and Rouslan on Modblog, the facial tattoo is the only major body modification she has. This has also fueled the controversy surrounding it.

So you have two camps:  the cheers and the jeers.

Shannon notes interesting downfalls, including the association with gangs like MS-13, who have prominent facial tattoos that are often stylized in a similar way.  However, he places the focus on their "commitment to love" and how "sometimes the best decisions are the ones you make in an instant with your heart rather than the ones long-debated in your mind."  Indeed, there have been many times where I've fully agreed with this latter statement. There are many times that I haven't. Which is why this is heartbreaking to me.

I don't want to be in the jeers crowd. Here is a young woman who is in love and this is the way she has chosen to show her commitment. I cannot muster my usual snobbery. But I also cannot suppress feelings of anger towards this new love of hers, Rouslan, who in the most brazen of ways, marked this girl, forever changing her life. I wonder if he will shoulder the full responsibility of this for the longevity of the tattoo.  To me, this seems more like marking one's property, rather than caring or nurturing your bride to be.

I often flippantly say the old maxim, "You get the tattoo you deserve." But this is not true all the time. Sometimes, there's got to be someone who educates and guides, who keeps impulses in check, and acts ethically. I believe that tattooists should largely shoulder this responsibility when it comes to clients, especially young ones.  And I most firmly believe this when the tattooist has an intimate connection to the one being tattooed.

Lesya's photo has been popping up all over Facebook today. Some postings are of the point-and-laugh variety, others have touted it as "inspiring" and "the ultimate" in body modification.

To me, the ultimate in body modification is a commitment to the best form of expression of the best of who you are. It's a shame that her expression belongs to that of another person.

I commend Shannon for taking a positive approach to this work and seeing the beauty in it. And I stand with him in wishing that they realize their dreams and proving skeptics like myself wrong. 

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3d Tattoo Pics

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Hand-Poked Cremation Ashes Tattoo

The other day, I received an interesting email from our friend and one of our favorite tattooers, Colin Dale of Skin & Bone tattoo studio in Copenhagen, Denmark. Colin particularly specializes in hand-poked dotwork, creating gorgeous pieces, large and small, with a particular bent towards Nordic art and mythology (although he works in a variety of genres).

In the message, Colin sent these photos, shot by his partner Nana, of him tattooing their friend Eric Frederikson with soot mixed with the ashes of Eric's deceased father to make the ink. As Colin said, "It doesn't get more tribal than that."

Considering my fascination with memorial tattoos using cremation ashes, I asked for more to the story, and Colin obliged. Here's what he wrote:

Leviticus talked about cutting and marking the body in reverence to the dead. The Hawaiians used to cut themselves with shells (scalp) and smear the funeral pyre ashes on themselves. And I know several people have done this in modern times before me...I seem to remember Bill Tinney (Photographer for Outlaw Biker, Tattoo Review, etc.) got a portrait of his mother (or grandmother) done by Brian Everett, I believe, with some ash mixed in the ink. However, I actually wanted to make ink out of the ash!

Unfortunately human (animal) ash is very light, so I mixed it with soot to darken it up while still trying to
stay as prehistoric as possible. I don't know if you should give the recipe out [Editor's Note: yup, I am], but it was half ash, half soot -- and then an equal portion of 55% Vodka! The human ash was quite grainy, so I had to mill/mortar it, which was no problem at Lejre [Denmark, where the tattoo took place]. In the studio, I probably would have hit it with the ultrasonic for a few days. But Eric is from Minnesota (Minnesota Viking!), so my only concern was that he might catch Mad Republican Disease!

I'll begin simply by saying that These Old Blue Arms: The Life & Work of Amund Dietzel is a bookshelf mandate for lovers of tattoo art and culture. Written by Jon Reiter of Solid State Tattoo in Milwaukee, it not only captures a legend but the richness of tattoo Americana.

Last month, Patrick posted a preview of the book, and over vacation, I made it my essential reading -- although not beach reading as I didn't want to risk damaging the 200-page hardcover. While I devoured the entire book in just a few hours, its resonance is long lasting. It is in one volume a book of history, artistic reference, and tattoo lore as well as a meticulously researched biography.

As Fred Stonehouse says in the Foreword, Jon Reiter has made it his mission to "clarify much of the shadowy information" surrounding Dietzel. Reiter cites the Norwegian National Archives to early US newspapers to direct quotes from Dietzel's grandson to paint a picture of a man deemed "one of the last true gentleman tattooers."

The book begins with a short introduction to Dietzel's family life, illustrated by photos from the late 1800s and beyond. We learn that he went to sea at the age of 14 and got his first tattoo--an anchor on his hand--when he docked in Southern Wales in 1907. It was aboard the Augusta later that year when he started his 60+year tattoo career with "six needles bound with cotton and set in a block of wood."

More than tattoo facts, the book tells stories of alleged ship wrecks, war time tattoo culture, and carny life--where Dietzel spent a good portion of his career tattooing and as a "Tattooed Man" sideshow performer. It also shows Dietzel as an artist constantly seeking to refine his craft, noting that he took art classes at Yale and elsewhere at various times in his life. His artistry is ever-present in the hand-painted flash spreads--these pages alone are worth buying the book.Reiter also gives some background on the root of the word flash, which is fantastic.

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